Psych Siddhartha is a youth-oriented dark comedy drama that places Shree Nandu front and center—not just as the lead actor, but also as the co-writer and producer. Released as a New Year offering, the film takes a very basic storyline and presents it in an exaggerated, quirky, and deliberately chaotic style. The intention is clear: to stand out by being loud and unconventional. The question is—does it work?
Psych Siddhartha Movie: Overview
| Movie | Psych Siddhartha |
| Release Date | Jan 01, 2026 |
| Rating | 2.5/5 |
| Starring | Shree Nandu, Yaamini Bhaskar, Narasimha S, Priyanka Rebekah Srinivas |
| Director | Varun Reddy |
| Producer | Shree Nandu, Shyam Sunder Reddy Thudi |
| Music Director | Smaran Sai |
| Cinematographer | K Prakash Reddy |
| Editor | Prateek Nuti |
| Related Link (Trailer) | Watch |
Story
Siddhartha (Shree Nandu) is a troubled young man whose life falls apart after being betrayed by Mansoor, a man who promises him success in the event management business. To make matters worse, Siddhartha’s girlfriend Trisha (Priyanka Rebekah Srinivas) abandons him and chooses to side with Mansoor. Broken and disillusioned, Siddhartha withdraws from society and isolates himself completely.
At the same time, Shravya (Yaamini Bhaskar), stuck in a toxic and abusive marriage, walks out on her husband and ends up living in the same apartment complex. A chance incident brings Siddhartha and Shravya together, setting off a chain of events that slowly begins to alter their lives. How their individual pasts influence their present and future forms the core of the narrative.
Plus Points
This film gives Shree Nandu ample space to break away from the mild, boy-next-door roles he is usually associated with. Playing a disturbed and slightly unhinged character, he goes all in without hesitation. His commitment is evident, especially in scenes that demand emotional chaos, frustration, and confusion. Several moments in the second half—particularly his interactions with Yaamini Bhaskar—offer genuine humor and provide some breathing space amid the madness.
Simha, as Siddhartha’s childhood friend Revanth, brings a lively presence whenever he appears on screen. His sharp dialogue delivery, expressive reactions, and comic timing inject energy into the film and help keep the momentum alive.
Director-wise, the film’s narration is its most experimental aspect. A very thin storyline is presented using quirky visual ideas, pop-up texts, onomatopoeia, and rapid cuts, giving the film a graphic-novel or comic-strip vibe at times. The relatively short runtime of around two hours works in its favor, ensuring the film doesn’t drag unnecessarily. The crisp cinematography and inventive editing further support the fast-paced storytelling.
Minus Points
While the idea of presenting a simple story in a funky, exaggerated style sounds appealing, the execution often goes overboard. The constant shouting, overlapping dialogues, heavy use of cuss words, and adult content dominate the film, making it exhausting after a while. What initially feels energetic and playful gradually turns into overwhelming noise.
Yaamini Bhaskar’s comeback role appears promising on paper but doesn’t translate effectively on screen. Her dialogue delivery feels inconsistent, and the emotional moments fail to leave a lasting impact. Supporting characters like Mansoor and Trisha are poorly developed and exist largely to move the plot forward rather than add depth.
The first half maintains a decent pace but lacks solid groundwork. The second half continues in the same vein, even after a shift in the protagonist’s arc. Despite the smooth narration, the story never truly explores its emotional core. As a result, the film ends without leaving a strong emotional impression. Given its raw language, intimate scenes, and adult themes, it is clearly not suited for family viewing.
Technical Aspects
The director shows confidence in his vision and commits fully to his distinctive storytelling style. While the use of quirky edits and sound effects is innovative, tighter control and stronger writing could have significantly improved the overall impact.
K. Prakash Reddy’s cinematography complements the gritty tone, delivering clean and well-framed visuals. Smaran Sai’s music adapts well to the film’s shifting moods—ranging from chaotic and playful to emotional and subdued. The background score supports the narrative effectively. Production values are respectable, and Prateek Nuti’s editing keeps the film brisk, though additional trimming might have made it sharper.
Verdict
Psych Siddhartha is an experimental film that prioritizes style over substance. Shree Nandu’s earnest performance and a handful of engaging moments work in its favor, but the wafer-thin plot, excessive loudness, raw language, and adult content limit its reach. The film may resonate with younger audiences who enjoy offbeat and unconventional cinema, but it is likely to test the patience of others—especially family viewers.
Similar Movies
